UCSD University Art Gallery Presents ‘M(other)land’

First Solo Exhibition of The AFRICA Archives by Video Artist lauren woods

January 21, 2010

By Isabelle Lutterodt

Bay Area video artist lauren woods has consistently returned to the subject of Africa over the last few years, creating numerous pieces that vividly document her cultural investigations. This still-growing body of work, entitled The AFRICA Archives, includes videos, still photographs and mixed-media works.

“M(other)land” – on view at the UC San Diego University Art Gallery Feb. 4 through March 20 – offers a glimpse into The AFRICA Archives and provides a space for viewers to sift through their own projections about a continent still primarily glimpsed through the veil of social crisis, Hollywood movies and television news.

There will be an opening reception February 3, from 5 to 7:30 p.m.

This exhibition, curated by Los Angeles-based independent curator Lisa Henry for the University Art Gallery, marks the first time works from The AFRICA Archives have been shown together. The show focuses on the artist's long-held interest in American perspectives on Africa as they relate to identity and cultural power. woods' project is open ended, grand in scale and often humorous as she re-edits popular films, music videos and her own footage, creating a suite of works about the conundrum of Africa as the assumed homeland for generations of Americans who have never and will never travel there.
 
Four major works from The AFRICA Archives will be on view at The University Art Gallery. These arresting video installations integrate woods’ own original video work with 20th century popular film, re-edited and re-mixed according to her own journey of inquiry. In “...all over... (After the Crucifixion (After P. Pfeiffer (After F. Bacon))),” the artist probes the intersection of contemporary African identity and American rap by employing Ludacris’ 2005 video “Pimping all of the World” (purported to be the first mainstream American hip-hop video to be shot in Africa), creating a dizzying hybrid of cultural signifiers in the gallery. In the five-monitor video installation “A portrait of the African Shore,” as well as in “Inkblot Projective Test #1 (Darkest Africa 1936/2006)” and “i dream of africa…,” woods questions both the stereotypes and idealized projections of the African landscape, its people and their culture. 
 

For woods, “Africa” is at once a question, a collection of political difficulties, a set of cinematic conventions and a site for the projection of racial and cultural identities by the West. woods’ goal is not to create a definitive statement. As she says, “I do not plan on answering any of these questions... or resolving my feelings about my perpetual journey in understanding the relationship between diasporic descendants of Africans and this place called the ‘motherland’ but I have to acknowledge that this whole mania is more complex than it appears.” These works both reflect and question the quintessentially American impulse to draw on fiction and myth to make sense of individual identity in a fragmented world. 

lauren woods is a conceptual artist based in the Bay Area. She received her MFA from the San Francisco Art Institute in 2006. Her video work has been widely exhibited throughout the U.S. Her multidisciplinary approach often combines video, sound, installation and photography to examine popular culture, race and socio-politics. Currently woods is a Tribeca Film Institute Media Arts Fellow and is in residence at CentralTrak: The University of Texas-Dallas Artist Residency. Her video work has been widely exhibited throughout the U.S., including the traveling exhibition “Posing Beauty,” curated by Deborah Willis, as well as “Letters from the Left Coast...,” Studio Museum in Harlem, New York (2009), “Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970” at The Contemporary Arts Museum-Houston, Houston, Tex. (2008), “The California Biennial,” Orange County Museum of Art, Calif. (2008), and “Ethno-fictives,” Swarm Gallery, Oakland, Calif. (2006).

Lisa Henry is an independent curator based in Los Angeles. She is the curator of  “-Americans” and “Off The Grid: Photographs by Keliy Anderson Staley,” both at the California Museum of Photography, as well as “Connections” at Jenkins Johnson Gallery, New York, and the traveling exhibition “Young Americans: Photographs by Sheila Pree Bright.” Other past exhibitions include “The Grapes of Wrath: Horace Bristol’s California Photographs,” J. Paul Getty Museum and “I’m Thinking of a Place” at the Hammer Museum, Los Angeles. She has contributed essays to various exhibition catalogs and is a columnist for the online photography sites En Foco and Dodge & Burn.

The University Art Gallery is on the west end of Mandeville Center at UCSD. Hours are Tuesday through Saturday, 11 a.m. to 5 p.m. Admission is free and open to the public. Information at  858-534-2107 or uag@ucsd.edu.

lauren woods will give a talk about her work on March 2 at 6:30 p.m. in the Visual Arts Facility Performing Arts Space.  To accommodate visitors the gallery will be open until 6:30.

More about the gallery: http://universityartgallery.ucsd.edu.

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About UC San Diego
Founded in 1960, the University of California, San Diego is ranked the best value public university in California by Kiplinger’s Personal Finance magazine and the 7th best public university in the nation by U.S. News and World Report. Named the “hottest” institution to study science by Newsweek, UC San Diego is one of the nation’s most accomplished research universities, widely acknowledged for its local impact, national influence and global reach. Renowned for its collaborative, diverse and cross-disciplinary ethos that transcends traditional boundaries in science, arts and the humanities, the university attracts stellar faculty, students and staff.  For more information, please visit www.ucsd.edu.

Media Contact: Isabelle Lutterodt, 858-534-0419 or ilutterodt@ucsd.edu