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April
28, 2005
What To Make Of Mexico City's Art
Scene?
UCSD Conference Brings
Together Art-makers, Critics and Curators
to Examine the 1990s Contemporary-Art Renaissance in ‘Distrito
Federal’
By Inga Kiderra
Mexico City, circa
1990s: The art scene was blooming and bleeding-edge –
and as complex and messy as those adjectives imply. Before the
story is sanitized and boiled down to a simple chapter in an
art-history tome, the Visual Arts Department of the University
of California, San Diego is convening some of the scene’s
leading participants to argue alternative accounts.
The conference, “Mexico
City in the 1990s: The Paint’s Not Dry,” begins
at 9:30 a.m. on May 13, in the Seuss Room of Geisel Library,
UCSD. Discussions are slated to run through 6 p.m.
The featured participants,
all of whom played a part in the ’90s Mexico City art
scene and who continue to have a major role in the unfolding
history, include:
- Gerardo Estrada,
coordinator of cultural diffusion at the National Autonomous
University of Mexico and former minister of fine arts
- Mexico’s leading
art critic Cuauhtémoc Medina, current (and, in 2002,
the first) associate curator of Latin American art at London’s
Tate
- Artist Rubén
Ortiz-Torres, who was born in Mexico City, now lives in Los
Angeles and teaches at UC San Diego
- Yoshua Okon, artist
and founding co-director of La Panadería, which was
a key arts cross-roads space in Mexico City
- Monica Manzutto,
co-director of the internationally influential Kurimanzutto
Gallery
- Carmen Cuenca, co-director
of inSite, a network of contemporary art programs and commissioned
site-specific projects throughout the San Diego-Tijuana region,
which helped redefine the relationship between Mexico City
and its periphery.
Among the proposed
topics are analyzing patterns of artistic interaction in the
urban landscape of “D.F.”; examining art collectives
and informal gathering places; and chronicling Mexico City’s
fruitful links to the border region of Tijuana-San Diego and
to L.A., New York and beyond.
“The 1990s in
Mexico City were a period of tremendous political upheaval and
incredible cultural energy. The art that grew out of that was
socially interactive,” said Steve Fagin, chair of the
Visual Arts Department at UCSD and conference co-organizer.
“Today, that art is internationally recognized. But does
that mean it might lose its living spirit?”
“The goal of
this conference,” Fagin said, “is to take a breath
before the art has become ‘official, important art.’
We want to recapture its undergroundedness, its funkiness –
and its politics.”
The conference was
organized by Fagin, Yoshua Okon, Roberto Tejada and Rubén
Ortiz-Torres of the UCSD Visual Arts Department.
For more information:
(858) 534-2860 or http://www-apparitions.ucsd.edu/~visitors/.
Media Contact: Inga
Kiderra, (858) 822-0661
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